Style.css

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One of the most important things, to my mind, in English style is word-order. For us, the most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader’s mind. It has, in fact, the last word. One should therefore think twice about what one puts at a sentence-end. But in a German sentence this final position may be reserved, by a most curious grammatical convention, for an infinitive or past participle; or, in a subordinate clause, for the main verb. Thus logical emphasis, unless particularly strong, tends to be sacrificed to mere grammar.
—F. L. Lucas (1894–1967)

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The hedge [of hawthorns] formed a type of suite of chapels disappearing under the wall of their flowers heaped as on an altar; under them, the sun placed on the ground a grid of light, as if it had come through a glass window; their fragrance was as smooth and as clearly defined in its form as if I had stood before the Virgin’s altar, and the flowers, so ornamented, each distractedly held its dazzling bouquet of stamens, fine and shining ribs of flamboyant style like those which in the church line the ramp of the rood-screen or the mullions of stained-glass windows and which bloomed into the white flesh of strawberry blossoms.
—Marcel Proust (1871–1922)